Tuesday
Jul202010

19 gear essentials for world travel

As I mentioned in a previous post, I am currently traveling around the world and shooting the experience with the 5D Mark 2. I have a travel blog located here, which has taken up the majority of my blogging efforts. I have been on the road for nearly five months traveling throughout Fiji, New Zealand, Australia, Indonesia, Malaysia, Thailand, and Cambodia.

I was compelled to leave a lot of gear at home due to the long term nature of our trip. While not completely comprehensive, I have put together a list of gear that I feel is essential for such a trip.

From the photo above working from the top left to right then down:

1. Kessler Crane Pocket Dolly Travler

Great tool to add some simulated dolly movement to your shots. A little bulky to carry around but it is completely worth it when I break it out. Kessler was great about getting this to me when I was in Australia. They just came out with version 2, which looks even better.

2. Rode Video Mic

Great tool for getting high quality camera audio. The internal mic of the 5D Mark 2 isn't the best and this Rode Mic more than makes up for it. I also have the wind screen called the Dead Cat that comes in handy on windy days. I use this when I don't have time to mic someone up or am just looking for some good quality ambient sound. 

3. Zoom H4N

External recorder I use to capture all of my interview audio. I then sync it up to the video in post using Pluraleyes. Easy to use and the audio is of good quality. 

4. ND Filters

Essential for the 5D to achieve the shallow depth of field. I own a ND 400, which I believe is 10 stops and is wonderful for time lapses. I also have an 8x for all of my lenses which is three stops and they work great.

5. Litepanel Micro Pro

This is an incredibly useful piece of gear that has come in handy on many occasions. It is pretty expensive but I have used it when just a little light makes all the difference in your shot. 

6. Cokin ND Adaptor Rings

I have a 52mm, 58mm, and 77mm adaptor ring to work with my Cokin grad system.

7. Manfrotto Mini Fluid Head

Nice little simulated fluid head I can easily pack. It works well on the slider and on the Manfrotto tripod. 

8. Rocket Air Blaster

This has been very handy to clean out dust and dirt from my camera and sensor while traveling around in many countries. 

9. Slik Mini Tripod

Small and portable, I have used it when I didn't have my full size tripod available. It also doubles pretty well as a handheld rig when you fold the legs together. 

10. Canon 5D Mark 2

I can't say enough good things about this camera. It has been one of the best purchases I have made in my life and Canon has really stepped up to provide firmware updates to make it more usable. I love this camera!

11. Cokin ND filter holders

This is pretty essential for my time lapse exposures. It is a pretty cheap plastic but works for what I need. I have a Lee system at home and am now kicking myself for not bringing it. 

12. Homemade Support Rig

My dad built this based on the Zacuto design. It was at a much more attractive price point, free! This is essential when I go off the tripod to have usable footage. It is very portable and works great. 

13. Classic Nikon 24mm 2.8 lens

My go to lens for time lapse. I prefer to use primes because they are sharper. I would like to upgrade to the Canon 24mm 1.4 lens in the near future but I got a great deal on this used Nikon from KEH. The images are nice and I have been very happy with it. I have an adapter ring from Ebay to make it work with the 5D Mark 2. 

14. Canon 50mm 1.4 lens

It is always good to have a fast 50 and this has been a nice lens for video and photography. I debated between the 1.2 and the 1.4 for a while and decided on the 1.4 due to price and weight. This has a wonderful shallow depth of field and can be very handy in low light. 

15. Canon 24-70mm 2.8 lens

My go to lens as I travel. I love the imagery and versatility and it is fairly fast at 2.8 so I can get that nice depth of field. The drawback is it is heavy and large and tends to draw a lot of eyes and that be cause for concern. I covet the 70-200 but it would be just too much to carry with me at all times. 

16. Cokin Grad ND filters

Good to have for time lapse and very handy during bright days. I do have to be careful of vingnetting and they suffer badly from IR pollution with highlights sometimes going magenta. Once again, I wish I had my Lee set instead but these work for the short term.

17. Intervalometer

Essential for time lapse. I have a knock off from ebay that cost $40, much cheaper than Canon's version.

18. Sandisk Memory Cards

I've got five cards of various sizes and that seems to do the trick. I usually rotate the majority of my footage between two 8gig cards. Try to go with extreme fours or above. 

19. Manfrotto Tripod

Decent tripod that is essential for my time lapse shots. It is a little heavy and if I could do it over again, I might think about investing in a carbon fiber to lighten the load.

It's a lot of stuff, I am the first one to admit. I feel it when I lug all the gear around in my backpack in the very humid Southeast Asian countries. Ultimately, the sweat will fade and I will be left with some pretty incredible footage from our amazing world travel adventure and it will all be worth it.

Thursday
Jun242010

Malaysia Unmapped

Malaysia Unmapped from Jon Carr on Vimeo.

We spent three weeks traveling in Malaysia and this is the highlight video from our travels in Kaula Lumpur, Cameron Highlands, and Langkawi. The video is a combination of 5D footage and time lapse video. I used an old 24mm Nikon, 24-70mm L 2.8 canon, 50mm 1.4 canon. I also was able to utilize my Kessler Pocket Dolly and I love the product. Wish I would have been able to get the v2 but purchased a little early. I have a few others in the pipeline including Bali, Australia, and New Zealand and hope to roll them out when I have time to catch up.

Wednesday
Jun092010

Australia Time Lapse

Australia from Jon Carr on Vimeo.

Australia was the second stop in my extended travel trip. I spent five weeks covering the East Coast of Australia. I am very happy with the Blue Mountain intro to this video. The clouds have an amazingly surreal quality about them. Almost dreamlike. I shot this over a series of three days during sunrise. The first day was a bust because of exposure issues and I was too busy chatting with other photographers to notice. The next two days I was able to get what is in the video and I am happy with the results. I wish I could have gotten additional locations but just ran out of time. The music is from a very talented Aboriginal artist and I think goes well with the imagery. I will document the gear used in an upcoming article. 
Wednesday
Jun092010

New Zealand Time Lapse

Land of the Big White Cloud from Jon Carr on Vimeo.

The first major stop on my extended trip was New Zealand. I spent 5 weeks covering both the North and South Island. I shot many time lapse clips during the visit. This video highlights some of my favorites. In an upcoming article I will break down the gear I have with me on this trip. I will discuss what I feel are the necessities when working with time lapse and HDSLR shooting but also trying to keep things light and manageable. I plan to have this up in the next few weeks so keep an eye out. In the meantime, tell me what you think about the time lapse video from New Zealand. 

Sunday
Jun062010

The Unmapped Life

I have been away from the blog for quite awhile and most have my efforts have been dedicated to world travel. I have been on the road for the last three months with stops in Fiji, New Zealand, Australia, Bali, and currently in Malaysia. The travel has been exciting and it has allowed me some time to really dial in my workflow with the 5D Mark 2. I have done several time lapse videos at places including the Sydney Opera House, the Patronas Towers, and the 12 Apostles. I am on my way to Thailand and hope to travel for a few more months. I am also shooting the trip highlights with my 5D and have some great footage that I am putting together when I have available time. The working conditions haven’t been the best and I have been crammed in all kinds of positions and locations and have become quite proficient at juggling multiple hard drives and such on my lap heading down the road on a bumpy bus. 

While the world travel is what I believe to be a once in a lifetime opportunity, I do feel as though I am missing out a bit on the DSLR revolution. It also has been challenging leaving many clients behind that are now having to go elsewhere. In the big picture, it will all work out and the trip has been an incredible experience!

A lot has happened since I have left including the 24p firmware update for the 5D Mark 2, the season finale of House being shot on the Mark 2, and all kinds of cool new gear is out or in the pipeline. It is pretty exciting to see all of these top end professionals squeeze so much out of the 5D and have this technology at my finger tips. 

Now that I am on the home stretch of my trip, I am going to rededicate myself to my production blog. I have several ideas in the pipeline, new videos, and recent projects that I will share in the near future. It is my intent to post new content once a week for the next twenty weeks just as a way to keep myself disciplined and on track. Comments and suggestions are always encouraged and in the meantime, please take a look at the travel blog I have been keeping to chronicle my trip for the last three months, www.unmappedlife.com. We have worked really hard on it and have a lot of solid content from our travels.

Sunday
Jan102010

A Little Holiday Fun

Tom Lappan @ 60 from Jon Carr on Vimeo.

This past Christmas was my Stepfathers 60th birthday and my Mom decided to put on a surprise party. She asked me to create a photo slideshow for the event. I got together with my siblings and we decided to instead do a video. It was thrown together pretty quickly late at night while Tom was asleep. We used the 7D for the video and shot Andy and my Mother doing the reenactments from Tom's life. It was a lot of fun and got some pretty big laughs at the party.

Friday
Oct022009

Rolling Shutter Comparison (7D & 5D mkII)

Rolling Shutter Comparison (7D & 5D mkII) from Jon Carr on Vimeo.

 I was able to do one more test last night with the help of my friend Michael from Santiago Filmworks. We tried to keep things a little more consistent. I am still not sure if it is accurate because the final video is on a 29.97 timeline but I also have 30p footage from the 5D mkII mixed with 29.97 7D footage. It seems to play fine but I am sure it would cause some drift issues when syncing footage on a multi-cam shoot. I seem to remember hearing that NeoScene converts the 5D mkII footage to 29.97 when converting to the Cineform codec? I need to look into that.

Anyway, we shot Caltrain in Sunnyvale to try and gage the rolling shutter comparison of the two cameras. Unfortunately I didn't have two tripods, so we set both cameras on top of a box side by side and there is a little shake from the trains. Both cameras have 50mm lenses, the 5D mkII has a 1.8 Nikon and the 7D has a 1.8 Canon. I would agree with some who are saying the 7D is about a stop brighter and on the first shot the f8 label for the 5D mkII isn't accurate, the f-stop matches the 7D at 6.3. The comparison video shows side by side and then each clip individually. 

All in all, both cameras have really pleasing images. The 7D isn't as contrasty and doesn't pick up as much detail as the 5D mkII. I do like the filmic quality of the 7D and some of the new features of this camera. If the 5D mkII had 24p, it wins hands down but both are very solid and have there own sets of strengths and weaknesses. I am a little concerned about mixing the footage with the varying frame rates and need to figure out a strategy to keep them in sync in a single timeline. 

Wednesday
Sep302009

Side by Side

Side by Side (7D and 5D Mark 2) from Jon Carr on Vimeo.

Neither pretty nor technically accurate, I shot a side by side with the 5D Mark 2 and the 7D tonight at the Legion of Honor in San Francisco. It was pretty challenging by myself armed only with a tripod and monopod. I tried to compensate for the 1.6 crop sensor in the first few shots by using a 50mm on the 5D Mark 2 and staying on the wide end of my 24-70mm on the 7D. I hope to do something a little more polished down the road. 

I find the 7D image to be pretty pleasing and not nearly as sharp as the 5D. I think this helps with the moire not being as intense. It is still there but toned down a bit. I think the 5D has more dynamic range and the colors pop a little more. For the most part, they are very close.

Sorry about all of the crooked video, it was a rush job.

Tuesday
Sep292009

Got me a 7D

Quick 7D Shoot from Jon Carr on Vimeo.

Just by chance, I stopped into Fireside camera in San Francisco today and they had a shipment of 7D's. I grabbed one quickly. I went out to the warming hut and got some shots in 24P and 60P (slowed to 24P). I used my 24-70 2.8 lens. No color correction, straight out of camera.

This is a quick video from my shoot. I will work on doing a side by side of the 5D Mark 2 over the next few days.

My initial impressions are good. I like the image and the camera feels good. I love the 24p. Then new layout with the video button is great! The low light isn't as good as my 5D Mark 2 and the crop sensor will take some getting used to but I am excited.

I will post more over the next few days.

Monday
Jul132009

Canon 5D Audio Workflow

5D External Audio Tutorial from Jon Carr on Vimeo.

In this tutorial, I walk you through the process of syncing up externally recorded audio with your 5D footage.

I have gotten a lot of positive feedback from my East coast pizza testimonials and one of the main questions people were interested in was how I handled audio. I created this tutorial to explain my process.The workflow is pretty easy but keep in mind there are many ways of handling external audio with the 5D. In the future, I will probably use the Zoom H4n Portable Handy Recorder. Zacuto has some good information on this product.

We used a DVX100 camera to record external audio. The DVX100 has two XLR inputs and on one channel we recorded with a shotgun microphone just below the person being interviewed. On the second channel we used a wired lavalier microphone taped and hidden under the shirt. In post, I picked the best channel and duplicated it to have very clean audio for my interviews.